"It wasn't easy, but ultimately we managed to produce something that truly resembled a living world, where folk had their jobs and lifestyles. "Since BioWare's engine didn't support large in-game communities, we had to create our own tools that would let us generate populations that would be satisfactory in size and follow a daily life cycle," Tomaszkiewicz said. I remember being floored when the skies opened up over a tiny village center and everyone started running for shelter, clustering under eaves and awnings while waiting for the storm to pass.
One of the unique things about The Witcher, back in 2007, was the way it was brimming with life-like details. Above all, we wanted to push the envelope graphically, so we rebuilt the renderer from scratch and created our own means for displaying visuals." On top of that, we had huge ambitions that extended well beyond the capabilities of BioWare's engine.
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Konrad Tomaszkiewicz, another CDP Game Director, explained, "It was our first title, a project we actually used to learn how to develop games. The Witcher remains a strange game, and a big part of its unusual character comes from the struggles CD Projekt endured as it battled the Neverwinter Nights engine. Kanik means his remark in good humor, but there's some truth to his harsh self-assessment. In hindsight, I honestly have to say that we were wrong." "What's more, we actually believed we had the know-how to do it. "You have to remember that back around 2005-2007, we were really young, really inexperienced, even outright naive in that we thought we could accomplish anything," said Mateusz Kanik, Game Director.
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Later, I remember people talking about this legendary document, but that meeting was the first and only time I ever saw it."ĭespite the popularity of the original Witcher novels by Andrzej Sapkowski, the game series started on a wing and a prayer. " Michał Kiciński produced a sheet of paper and said that he had the story blueprint for a three-part saga about the witcher. "I remember a meeting that took place around the time when The Witcher was released," wrote Sebastian Stępień, Creative Director at CD Projekt Red. How much of The Witcher series' evolution was by design, and how much was improvised? It's hard to say, even for the CDP veterans who oversaw Geralt's video game odyssey from beginning to end. Yet despite the way CD Projekt Red lurched from one design to another, the series also retained an undeniably unique and consistent identity. Unlike a series like Mass Effect, where the first game's design laid a foundation for each subsequent instalment, The Witcher series completely reinvented itself at every turn. The Witcher 3 brings to a close one of the strangest trilogies in games.
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